Teatralidad y entremeses en la comedia de Figurón

Abstract

The purpose of this work is to study the "enredos" in the comedia de figurón that seem to be a representation. We have select four plays (El lindo don Diego, of Agustín Moreto; El castigo de la miseria, of Juan de la Hoz y Mota; El hechizado por fuerza, of Antonio de Zamora and Cuando no se aguarda y príncipe tonto of Francisco de Leiva) that use similar elements to construct the representation and in which it has a central importance in the dramatic actions. Also we will see the relations with the topics and the structure of the entremés.