Dramema. A critical nuance of the actantial analysis applied To El príncipe constante by Calderón from the perspective of the theater actor

Abstract

In this article we propose a critical variation to the actantial analysis model, elaborated by Algirdas Greimas and applied by Anne Ubersfeld to the dramatic text, considering here the actor’s perspective and using El príncipe constante by Pedro Calderón de la Barca as a practical case.