El binomio palabra/silencio en la poesía de Alejandra Pizarnik

Abstract

Pizarnik’s work often delves into her own raw material: the Word and/or the silence. The self-referential turns the theme into something difficult that involves the sense of the poem and the reader position. To try to understand this phenomenon, this paper suggests a reading of Argentinian poet through the deconstruction. Derrida’s notions let us to take a glimpse at the scopes of the paradox which gathers a poem that discusses the impossibility of poetry.