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Abstract

This article analyzes the translation procedures of three Molière comedies by Ramón de la Cruz. On the one hand, it examines the translation and adaptation of two comedy-ballets, George Dandin ou le mari confondu and Monsieur de Pourceaugnac; on the other, of Les précieuses ridicules. The article considers the poetics of the sainte versus neoclassical aesthetics, discussing a common comic model